It’s easy to look at “Repercussions” are the
second of a two-parter. And why not? It has all the characteristics
of one. The previous episode ended with a shocking cliff-hanger
and the lives of Michael Vaughn hanging in the balance. Both
episodes featured the talents of Justin Theroux (as Simon Walker)
and both episodes revolved around the story of Sydney’s
deep cover assignment and getting a little closer to the truth
about her missing time.
But on closer inspection, that couldn’t be farther from
the truth. Instead of acting as a simple continuation of the
story, “Repercussions” is more of an epilogue, or
a follow up to the events which took place in “A Missing
Link”. It deals with the repercussions of Sydney’s
questionable choices to get an extra piece to the two-year puzzle.
Written by Alias veteran Jesse Alexander
(“The Box”, “A
Dark Turn”), the episode takes off a few hours after the
events of “A Missing Link”, leaving all the characters
in their difficult scrapes and compromising positions...just
the way we like them. Vaughn is lying in field bleeding to death
in a field and Weiss is frantically searching his heart out for
him, Lauren has no idea what has happened and Sydney is on the
move with stolen biological weapons intended for wide-scale distribution.
It is a grave situation indeed. But the best bit is, none of
it gets completely resolved before the half way mark. There is
some closure in a way which is very similar to the dashing escapes
to sticky situations from the first season, but everything is
still left hanging in the air until the very end.
Once again setting the standard for action
and adventure, the episode features a very well directed car
chase (thank you Ken
Olin - you are an absolute genius) and it is perhaps one of Alias’ finest
accomplishments – with Lauren at the wheel, Sydney as a
passenger and Sloane the primary target, the mounting excitement
was incredible. A couple of the missions this season have been
missing something, but not this one. It has everything you would
expect from the series, and the decision to have Lauren and Sydney
team up for it was a fascinating choice. Both Melissa George
and Jennifer Garner were easily able to work off each other in
a truly captivating manner. It’s a shame that the love
triangle issue is always in the way because these two are a dynamic
duo waiting to happen – smart, sexy and action packed.
With any luck we’ll get to see more of them as an operational
unit in the future instead of the usual briefing room debates
and 'you stole my man' fights.
It was a tad disappointing however that after
all of Sydney’s
dealings with Simon he was quickly demoted to background material.
His importance to the missing time arc was forgotten and a bigger
fish emerged from the pond (Djimon Hounsou). Even his unfortunate
end at Jack's hand seemed like B-class material - he was Sydney’s
problem, so it should have been her who got to pull the trigger.
However, the event itself sets a steep precedent for Victor Garber’s
character and once again opens up the unethical choices Jack
has to make in order to save Syd. How then will this play out
during the rest of the season? Who knows, but it can only be
good.
Unfortunately, “Repercussions” was almost devoid
of Sark, who’s only notable screen time involved rushing
around with special guest star Djimon Hounsou, who was also under-used.
The same can be said of the Weiss/Sydney dynamic which has been
developed over the last few episodes. Aside from a short scene
at the end, there was nothing to be had. In fact, Greg Grunberg
barely put in an appearance and instead seemed to revert to the
recurring role he once held in the first two seasons.
And while on the subject of season two, one
of the many highlights of the season was “The Abduction”, and seeing Alias’ gadget
guy Marshall Flinkman in his first ever field operation. As the
comic relief for the show, there was a question of how the action
and comedy of the operation would blend, but Kevin Weisman was
a natural, and more entertaining than ever before.
It is therefore a blessing when the powers
that be send Marshall on a mission once again, proving that
successful blend of genre’s
wasn’t just a fluke. The final mission is able to incorporate
suspense, action and the hysterical talents of Kevin Weisman
just as before. The “a woman this beautiful would be willing
to share my bed” line in particular is among Weisman’s
finest deliveries, as was Garner’s eye-popping response.
But alas, it was over a little too quickly, and the episode concluded
with another emotionally-challenged love triangle cliff-hanger…whatever
happened to the solid mission related cliff-hangers of the early
days?
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