In order to make way for the new APO direction the series
has adopted a lot of the previous plot lines and trademarks
of the show had to be removed or reduced tremendously.
Among them was two central characters to the series:
the insidious Mr. Sark (David Anders) and Milo Rambaldi.
That’s right! After seven episodes developing the Authorised
Personnel Only unit, exploring Nadia Santos’ (Mia Maestro)
place in the series and setting up the new and fresh dynamic
of all the characters, the mysterious Rambaldi mystery is back.
And that’s not all – Sark also returns to the series,
once again running rings around Alias’ leading man Michael
Vartan just as he did last season by sleeping with his wife.
Speaking of which, the revelation that Sark was actually in love
Vaughn’s wife Lauren Reed was an interesting development,
and will no doubt bring new depths to the character. Attached
to Sark was also revelations regarding The Covenant, the terrorist
cell which Syd and co spent so much time last season trying to
bring down. The specifics were left a little vague, most likely
a deliberate attempt in order to allow some greater story-telling
in the future.
Unfortunately however, Anders’ involvement in the episode
was more of a cameo than the expected guest appearance, probably
in order to naturally phase him back into the Alias equation.
Although it can easily be overlooked by everything else which
is going on - in addition to Sark, Anna Espinosa (Firefly’s
Gina Torres) makes a very striking come back, receiving more
screen time than ever before.
When we last saw her in the first
season, she was usually only involved as a thorn in Sydney’s side, foiling her missions
and making life that little bit more complicated. And now? She’s
turning Syd’s life upside down in a whole new level. Her
re-introduction was handled excellently, serving to re-introduce
the entire Rambaldi storyline for the new viewers who have obviously
came aboard this season whilst also delving straight into the
loose threads from last season, namely the prophecy regarding
The Passenger and The Chosen One.
Daniel Attias makes a good job of
the direction, particularly in the briefing scene surrounding
Nadia’s
kidnapping. The rotational approach gives a greater effect
of urgency to have
her returned, and also help increase the level of tension tremendously.
The decision to have Sloane step
down from APO as long as Anna is on the run was an intriguing
twist,
and almost as captivating
was Jack’s agreement to take control of the unit. Among
the scenes involving his command of the team, Sydney states that
Espinosa is supposed to be dead. Jacks response: “so are
a lot of people”. To the casual viewer this could simply
be a sarcastic retort. But to many Alias fans it will no doubt
be the answer to their longing – is Irina Derevko really
dead? Granted the level of finality in the way she was written
out is enough to make you believe otherwise, but you can’t
help but wonder. After all, it’s a rare occasion that anyone
stays dead on Alias.
So in the first mythology episode
of the season, not only are several loose ends tied up, but
the entire
experience is left
just stand alone enough for new and casual viewers to enjoy.
And with direction her character has taken, its clear that Gina
Torres has a home on the series, and that Anna Espinosa can be
just as good a villain as Sark ever was. With any luck, we’ll
get more of these kinds of episodes in the future...echoes of
times past.
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