Although
Sydney is kept in the foreground, it is clear that the intent
of these episodes has been to introduce and integrate
the APO newcomers Thomas Grace and Rachel Gibson, and as far
as I’m concerned, it has worked. The producers could have
taken the same route as season three, when they introduced Lauren.
The character was placed in the middle of an intense situation
and stirred up the Alias pot…only the effect were felt
by the fans rather than the characters.
But instead, both of the new characters are
given a subtle introduction, reminding viewers that Gibson
and Grace will
never replace Sydney
and Vaughn, but instead have their own place and their own
stories to tell. It is very similar to the way in which Mia
Maestro was
added to the cast and as far as I’m concerned, she was
the greatest addition Alias has ever made (sans Irina Derevko
of course).
The opening mission in Monte Carlo is left
nicely hanging (literally!) with the question of what is
Mockingbird, and
why should Syd
know what it is? And instead of let the question hang in the
background like Sydney after a mission gone south, the answer
is given immediately – Mockingbird is Rachel Gibson.
Part of what I love about Goddard’s writing
is the way in which everything falls together. The rest of
the episode
after the Monte Carlo mission is directed towards reaching
that very
mission, but instead of simply replaying the operation for
the benefit of the viewers, what we get is the same action
but from
a different perspective.
Initially, it’s all Sydney – she gambles, she cheats
and she gets caught. Grace passes the vault code (with yet another
mysterious 47 reference) and Syd gets what she came for. But
what we didn’t see was Grace’s operation, and that’s
exactly what we get the second time around. Symbolically is rather
smart – Jennifer Garner is the leading lady so she comes
first, but Bathazar Getty and Rachel Nicols have joined the cast
to take off some of the pressure for the pregnant star. First
we get Garner, and the direction of the episode gracefully moves
onto the two new characters. Is this a sign of things to come?
Will Alias continue without Garner as it has without Vartan?
Despite the very techno-savvy missions and
blissful acting, “Mockingbird” follows
on from the example set by “The Shed” in regards
to Arvin Sloane. I don’t know why his quest for Nadia is
relegated to sub-plot material, because in both episodes it has
been the most intense and equally addictive development on the
show. Evil as he may be, Gordon Dean just doesn’t have
what it takes to become a real villain. The severely underused
Kelly Payton (played by Angel’s Amy Acker) has it all,
but she’s still sitting in the shadow of Dean. A little
bit like Sark in the second season to be honest.